| "Blue-Eyed
English" Terms |
| brassy |
| short |
| feelingly |
| full band |
| louden hugely |
| louden |
| sustained |
| marked |
| bit by bit |
| slight |
| plucked |
| louden lots |
| marked and heavy |
| smoothly, gently |
| to the fore |
| reedy |
| soften |
| pp but toneful |
| somewhat clingingly |
| full steam
all the time |
| heavily, much to the fore |
| streamingly |
| long |
| g |
| Sliding
Pedal |
| mm. 175-176 |
| mm. 263-265 |
| mm. 311-313 |
| mm. 345-346 |
| mm. 389-392 |
| v |
| Use
of Instruments in Families |
| Throughout entire piece |
| y |
| "In my
opinion no wind band is ideal without a complete family of easy-to-play
sarrusophones, by the inclusion of which the double-reeds are brought
on a par with the single-reeds....The wind band should not so cripple
itself, by tonal ill-balance and incomplete families (oboe and English
horn without bass-oboe or heckelphone; sax-horns without sopranino
or alto; saxophones without soprano)..." |
| - Percy Aldgridge Grainger,
June 1938 |
| The Lads of Wamphray March
program notes |
| f |
| Elastic
Scoring |
| cues throughout parts |
|
| Free
Music |
| none |
|
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to Grainger Compositional Traits
|
