| FORM |
| 0 |
| Section I (q = 126-132) |
| Mm. 1-19, main triplet theme, percussion and timpani solos |
| Mm. 20-38, principal theme, French horn section with chimes |
| Mm. 38-55, statements of unifying rhythm, build to fanfare theme,
murmuring triplets |
| Mm. 55-60, unifying rhythm used for first big arrival point, fanfare
theme in brass |
| Mm. 61-88, principal theme with running WW's |
| Mm. 89-97, transition to Section II, metric modulation begins m.
96 |
| 0 |
| Section II q. = q (q = 88) |
| Mm. 98-106, theme II, trumpet solos with shimmering WW's |
| Mm. 107-120, theme II in brass chorale |
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Mm. 121-124, stacking chords to WW entrance
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Mm. 125-131, WW closing Theme II
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Mm. 132-142, transition to Section IA
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| o |
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Section IA (q = 126-132)
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Mm. 143-154, opening repeated, main triplet theme, percussion
and timpani solos
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| Mm. 155-171, principal theme in low muted brass |
| Mm. 172-175, transition |
| Mm. 176-194, "Brass chorale" with triplets & second section accompaniment |
| Mm. 195-204, unifying rhythm, fanfare theme tutti |
| Mm. 205-210, stacking chords with running WW's |
| Mm. 211-219, all themes combined |
| 0 |
| Coda Mm. 220-230, use of all themes, unifying rhythm featured in
last 5 measures |
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