| Form and Structure |
| 0 |
| I. mournful hymns did hush the night |
| Opening motive mm. 1-4 |
| Chorale melody (phrase 1) - waves of sound; unmetered measure m.
5 |
| Opening motive mm. 6-9 |
| Chorale melody (phrase 2) - waves of sound; unmetered measure m.
10 |
| Opening motive (chorale melody & waves of sound interpolated mm.
15-17) mm. 11-20 |
| Opening motive - waves of sound accomp mm. 21-29 |
| euphonium solo melodic version of chords in waves of sound |
| Descending scalar motive mm. 30-35 |
| Alto sax solo (minor third theme) mm. 36-47 |
| Opening motive (somewhat developed) mm. 48-60 |
|
Transition (upper woodwinds, piano, glockenspiel) mm. 61-65
|
|
Woodwind waves of sound with chorale melody mm. 66-70
|
|
Opening motive mm. 71-85
|
| Brass Chorale mm. 85-100 |
|
Climax mm. 101-114
|
|
Descending scalar motive mm. 115-122
|
| 0 |
| II. broken loops of buried memories |
| Section I |
| Loop 1 (percussion) - based on three-note rhythm mm. 1-5 |
| Loop 1 (percussion, woodwinds, & harp) mm. 6-13 |
| Loop 1 (percussion, low brass, low winds) mm. 14-24 |
| Loop 2 (basses, low brass) mm. 25-30 |
| Loop 3 (upper winds, harp, percussion) mm. 30-33 |
| Loop 1 (percussion) mm. 33-36 |
| Loop 2 (basses, low brass) mm. 37-45 |
| Loop 3 (upper winds, harp, percussion) mm. 45-49 |
|
Section II
|
|
"Buried memory" (upper brass, basses, low brass) mm. 49-56
|
|
Loop 3 (upper winds, harp, percussion) mm. 56-57
|
| "Buried memory" - somewhat developed (upper brass, basses, low brass)
mm. 58-67 |
|
Loop 3 (upper winds, harp) & descending clusters mm. 68-73
|
|
Loop 2 (basses, low brass) mm. 74-80
|
| Section III |
| "Buried memory" with long-note theme (clarinet) - references 1st
mvmt mm. 81-87 |
| "Buried memory" in canon with long-note theme (oboe, English horn,
euphonium) mm. 88-94 |
| "Buried memory" long-note theme (woodwinds) mm. 95-101 |
| Transition material mm. 102-108 |
| Minor 3rd theme (horns) - originates from mvmt. 1, m. 36 alto sax
solo mm. 109-120 |
| Transition (woodwinds, harp, piano) mm. 121-126 |
| Loop 3 mm. 127-129 |
| Section IV |
| Fugato (piccolo, xylophone, flutes, clarinet 1, oboe, Eb clarinet)
mm. 130-146 |
| based on a spreading out of notes from m. 6 into melodic form |
| "Buried memory" & loop fragments mm. 147-149 |
| Descending clusters - see m. 73 mm. 150-152 |
| False loop 1 mm. 153-154 |
| Section V |
| Loop (basses, low brass) mm. 154-160 |
| "Buried memory" (upper winds) - see trumpets m. 50 mm. 161-169 |
| Rhythmic augmentation of fugato subject mm. 170-177 |
| Augmentation of canon with loops mm. 178-185 |
| Minor 3rd theme (horns) with "chorale" melody from mvmt 1 with flutes
mm. 186-190 |
| - see m. 109 |
| Development of "buried memory" (woodwind atmosphere, quasi-chorale
in brass) mm. 191-212 |
| Loop 1 (woodwind tremolo, trumpets) & descending clusters mm. 213-217 |
| Extension of clusters mm. 218-222 |
| Transition & crescendo mm. 223-226 |
| Loop 1 mm. 227-229 |
| Interruption of loop 1 (percussion) mm. 229-230 |
| Chord stacking mm. 231-234 |
| Loop 1 finished m. 235 |
| Final use of three-note rhythm to end the loops (percussion) m.
236 |
| 0 |
| III. Which by and by black night doth take away |
| Descending scalar motive (piano, double bass, harp, mallets) - from
movement 1 mm. 1-7 |
| English horn solo based on long-note theme from movement 2, m. 81
mm. 8-15 |
| Descending scalar motive (piano, double bass, harp, mallets) - from
movement 1 mm. 16-22 |
| English horn solo based on long-note theme from movement 2, m. 81
mm. 23-28 |
| Descending scalar motive (piano, double bass, harp, mallets) - from
movement 1 mm. 23-34 |
| Soprano vocalise solo with upper woodwind accompaniment mm. 35-51 |
| Soprano vocalise solo based on movement 1 minor 3rd theme mm. 52-63 |
| Descending scalar motive from movement 1 with movement 1 opening
theme mm. 64-77 |
| Soprano vocalise solo based on movement 2 long-note theme mm. 78-82 |
| Movement 1 chorale melody in horn & euphonium mm. 83-94 |
| Soprano vocalise solo based on chorale melody with tutti waves of
sound mm. 95-101 |
| Rhythmic motive from movement 2, m. 50 (trumpet) mm. 101-103 |
| Final three chords mm. 104-106 |
|
