| A |
| Allegro vivace (q = 176-184) |
| mm. 1-4 Introduction "Lydian Fanfare" G-flat lydian |
| mm. 5-11 ostinato C |
| mm. 12-24 Theme A, part I - flute, clarinet 1 C |
countermelody - bass cl, bassoon I, tenor sax, euph I
|
| mm. 25-28 2 "last note" F/G |
| mm. 29-38 Theme A, part II - upper woodwinds G |
| mm. 39-46 closing bb harmonic minor |
| mm. 47-48 4 ostinato D |
| mm. 49-60 Theme A, part I - flute, piccolo, oboe I D |
countermelody - English horn, horn III, alto cl, bass cl, euph
I
|
| mm. 61-64 5 "last note" C |
|
mm. 65-72 Theme A, part II - oboe, clarinet, celeste G
|
|
mm. 73-83 6 Motivic harmonic buildup E/F# in bass
|
|
mm. 84-90 7 Motivic harmonic buildup (repeated) E/F# in bass
|
| mm. 91-99 final closing - percussion, homophonic statements in winds
C# |
|
0
|
|
B
|
| mm. 100-107 8 ostinato - clar II, bsn, marimba, vibes, harp, str
bass octatonic dissonant |
[E, F#, G, A, Bb, C, Db, Eb, E]
|
| mm. 108-115 Theme B - English horn, alto cl, bass cl, alto sax,
tenor sax, horn III, euph |
countermelody - flute I, oboe, horn I
|
| mm. 116-123 9 Theme B (continued) [F, A, C, C#, D, E, F] |
| mm. 124-133 10 Theme B [E, F#, G, A, Bb, C, Db, Eb, E] |
| mm. 134-137 "last note" b |
| Development |
| mm. 138-153 11 Theme A fragments (m. 16-17, 53) f# |
| mm. 154-161 12 fragments bb |
| mm. 162-171 13 fragments d |
|
mm. 172-178 14 "last note" E/F# in bass
|
|
mm. 179-185 Motivic harmonic buildup (Theme A & "last note" accompaniment
fragments)\
|
[F#, G, A, Bb, C, D, E]
|
| mm. 186-194 Motivic harmonic buildup [Bb, Eb, G, A] |
|
0
|
|
A
|
| mm. 195-200 ostinato F |
| mm. 201-224 Theme A, part I augmented - bsn, alto sax, ten sax,
bari sax, horn, euph F |
"Lydian Fanfare" fragments (204, 211, 219, etc.)
|
| mm. 225-228 19 "last note" g dorian |
| mm. 229-241 20 Theme A, part II - flute, celeste F |
| mm. 242-250 Theme C - trumpet I G |
| mm. 251-256 22 Theme C - clar II & III, celeste, horn I F/G |
| mm. 257-264 closing bb harmonic minor |
| mm. 265-269 23 ostinato - clar I, vibes, harp, horn III D |
| mm. 270-281 Theme A, part I - oboe I, flute I D |
Theme C countermelody - English horn, euphonium (1st entrance)
|
Theme C countermelody - piccolo, glockenspiel (2nd entrance m.
274)
|
| mm. 282-285 24 "last note" C |
| mm. 286-293 Theme A, part II - horn I, glockenspiel G |
| mm. 294-304 25 Motivic harmonic buildup E/F# in bass |
| mm. 305- 311 26 Motivic harmonic buildup (repeated) E/F# in bass |
| mm. 312-320 final closing - percussion, homophonic statements in
winds G# |
| 0 |
| B |
| Crisply (not slower) |
| mm. 321-328 27 ostinato (ostinatos) octatonic dominant [C, Db, Eb,
E, F#, G, A, Bb, C] |
|
mm. 329-332 28 Theme B - upper woodwinds, euph
|
| mm. 333-341 Theme B (continued) [F, A, C, C#, D, E, F] |
| mm. 341-345 Theme B [C, Db, Eb, E, F#, G, A, Bb, C] |
Theme C (trumpets)
|
| mm. 346-351 30 Theme A fragments Bb |
| mm. 352-355 [Eb, F, G, A, Bb, C, D] |
| Rit. poco a poco (ca. q = 132) |
| mm. 356-361 Theme A, part I rhythmic augmentation (trumpets, horns,
tbn I & II) F |
| 0 |
| CODA |
| a tempo q = 184 |
| mm. 362-367 3/4 meter, Theme A, closing (reflects 3/4 measures that
closed previous phrases) |
| F |
|
"Lydian Fanfare" (not in Lydian) in trumpets
|
| 0 |
| Key areas listed on the right may or may not reflect an actually
tonicized area. They represent either the pitch (or pitches) that
sound(s) like "do" or the collection (or set) of pitches used. |
|
